Tuesday, July 23, 2024

Lessons in A (Personal) Aftermath--August 1, 2011

Although it feels as if I am not making a dent, I have been long going through my "stuff", especially things I never use, but feel deeply attached to, and an abundance of memorabilia, to purge and simplify. I already put most of my hard copy photos in the cloud, and I included scans of cards and notes sent to me over the years, and I tossed the actual paper. I used to call this saved content of my life, before we had the electronic revolution of the last 30 plus years, "the memory drawer".  Literally, it was all in drawers in my apartment. Although I believe that life on this earth is passing and not where or how it was supposed to be, and that I am (and you are) destined for eternity with God, there is this part of me, regrettable perhaps, but it is what it is, that doesn't want to have left no imprint during my time here. And so I write this blog. I have a podcast called "Ordinary Old Catholic Me" about the intersection of this life and my Catholic faith. I tell myself it isn't all about me. I just read a book about Vivian Maier, a woman whose life and eccentric connections with the world would never have been known but for the accidental discovery of her thousands of photographs that made her posthumously famous. Did she want to be famous? Given her psychological history, perhaps she would have said "No!" On the other hand, when she died all this creative material was out there, and providentially (I think) it was discovered and she has a form of immortality here in the memory of others. She had to have known that. I know that such people always fascinate me, maybe because I identify with them. And as much as I want to be known after I die, I want them to be known as well--I want to see their threads in the tapestry, and I hope that others might want to see mine, when I am long gone. In that book I just read there is a quote from Susan Sontag, "To take a photograph is to participate in another person's mortality, vulnerability, mutability. By slicing out this moment and freezing it, all photographs testify to time's relentless melt."

I would extend that thought to journals, and now blogs and other forms of documenting a time in lives. I read the creative remnants of the famous and the not so famous. So do many of us. When I go to an ancient place, like Pompeii, or Israel, or old, but not quite as ancient places like Oxford, and I see a sign in a quad that TS Eliot walked these grounds, I feel the connection of time, place and people. I think of it as a taste of heaven. So, there is my preface for today's entry. Yesterday, in my rummaging I ran across something I wrote just about a month after I retired. The truth is that my ability TO retire and my being (along with several others, it was not, I have difficulty still remembering, personal) compelled to retire happily coincided. It has been just about 13 years since the five minute end to my vocation of 25 years.

What follows is what I wrote just after that life event. 

Lessons in an Aftermath

About seven or eight years ago, I was on jury duty at the criminal court building which in the City of Los Angeles is only about a block from the Cathedral of Our Lady of Angels.  I found myself gravitating toward Mass during the long lunch hours, with time to spare for browsing the gift shop.  On one foray, I bought a pretty calligraphic print, in the style of a medieval illuminated manuscript, with the well known words of Saint Teresa of Avila, "Let nothing disturb you, nothing frighten you, all things are passing; patient endurance attains all things: one whom God possesses wans nothing for God alone suffices."

I displayed the print by my desk in my office where I worked as an ethics prosecutor.  Immersed in reading complaints of consumers, listening to their often angry rants about wayward lawyers and my personal failure as a government employee, and worse, they perceived, as the proverbial fox guarding the henhouse, I often failed to notice it or to remember its words.  I certainly failed to implement the gentle exhortation of patient endurance, time and again.  I had been taking Christ under my roof in the Eucharist on Sundays and making prayerful promises about my week to come.  Yet, my world was my office and its peregrinations.  I did not act as if God alone sufficed.  I did not feel it much either.

I had a good long run in that portion of my career--twenty-five years--about a third of a statistical lifetime.  I comprehended hypothetically the dangers of being an at will long term manager in the midst of constant cyclical organizational renewal.  And although I saw the signs of professional danger among several of us similarly situated, since they and I had survived before, I could again.  This time, however, it was not to be.  The organization was going, we were told, "in a different direction."  We weren't going with them.

They say that losing a job is one of the most traumatic events in an individual's life.  In the first week or so, I went through the seven stages of grief in succession and overlap.  Acceptance was not coming easily.

No one is indispensable to a workplace.  But I would be lying if I were to say that I was not hurt horribly to have experienced how readily dispensable I was, without regard to the passion and commitment I had brought to the work of lawyer regulation.  I was both disturbed and frightened to find myself unceremoniously severed from that extended part of my life.  While my colleagues and I surely did good work, as our evaluations over many years would show, we will never receive extrinsic validation henceforward. In fact, the not so implicit future and transient message of our release cannot be other than that somehow we failed.  If they did not value me in that forum, I had no value.

I retrieved little from my office, my diplomas, a poster and my print of St. Teresa's words which now is displayed on my bedroom desk.  I find myself noticing it a great deal.  I find myself meditating on those words in a way heretofore uncharacteristic of me.  I am rediscovering words of similar import by others who experienced the crucible of the secular and spiritual worlds and were irrevocably transformed leaving us their guidance for our time.  Thomas a Kempis writes, "On the day of Judgment, we shall not be asked what we have read, but what we have done, not how eloquently we have spoken, but how holily we have lived.  Tell me where are now all those asters and Doctors whom you knew so well in their lifetime in the full flower of their learning? Other men now sit in their seats and they are hardly called to mind.  In their lifetime they seemed of great account, but now no one speaks of them.  Oh how swiftly the glory of the world passes away. . .He is truly great who is great in the love of God. .  ."

Oh the tug of praise and recognition by my peers, by my bosses, by an institution! It is still there.  It will likely always be there.  But finding past praise meaningless and being severed from the possibility of future praise, at least from this source, has set me in a direction of my own, fitfully indeed, but certainly.

I woke up the other day.  As has been the case for nearly a month I remembered that the years of my niche legal career, painstakingly cultivated, was gone.  But something conjoined the memory.  I was momentarily ready to accept, without fear, the closing of that door and the opening of another where God alone suffices.  Now I must pray for the Grace of patient endurance as I embark on this last phase of my life.

****

Boy, are we inconsistent creatures! Well, boy, I am the queen of the inconsistent! All these years later I am still recognizing that the things of this world are transient, and yet trying to impose the memory of me into that transience. Perhaps that is the proof that we are meant to be eternal. And that heaven is the goal indeed overcoming the transient. Superseding the transient. 

As I commit this old bit of my writing to this forum, the world quite literally seems to be falling apart. Our nation is in a divide not unlike that before the Civil War, a battle of philosophies, where only one can ultimately be true. Our President is afflicted with the ravages of dementia, though it remains denied by the great and powerful who tell us what we are supposed to see. He has decided not to run for a second term for President, for reasons everyone knows but is pretended to be otherwise, but allegedly he is still the Commander in Chief for the next four months. Who exactly is running our country is a matter of reasonable speculation, but is also left unspoken, but certainly they were not elected as our Constitution requires. The former President was just nearly assassinated, left unprotected by the Secret Service we all used to admire. Today, the head of that service, after a defiant appearance before a Congressional Committee, has resigned. Last week, an "accidental" glitch shut down computers all over the world. And here I am worrying about my being remembered on this earth. But it is instinctual, clearly. In a way we are all the fictional Ozymandias, the king that is only remembered because the  desert dust accidentally cleared from his ornate tablet. 

I just like the idea that maybe 100 years from now, someone will be sitting on this very terrace in the middle of Los Angeles, if any of our world survives, reading this entry in my blog written on this day about another day in 2011.  

As to that print with the words of St. Teresa? That was moved to a wall in my living room. I am still working on the reality, the eternal reality, that God alone suffices. 



Thursday, July 4, 2024

On Frasier, Stage 18 Paramount and Things Calling Again

I know I have written about my early ambitions and days in Los Angeles. Though I had announced myself (inexplicably, even unto today)  to the profession of attorney when I was fourteen, once I was in college, and introduced to college radio and the idea of becoming a television script writer, my commitment to being a lawyer wavered. I had always loved movies and television. But this period of my life had introduced me to the possibility of being part of the making of the product. Just before I attended law school (knowing how success in creative work is truly elusive), I partnered with my college/WFUV friend Len to seek fame and fortune in sitcom writing. There was a potential agent, at William Morris in New York, no less, but it seemed that our purpose was to be bodies coming in and out of his office showing traffic rather than getting any real headway. He didn't last there, and thus, neither did we. We made several visits to "the Coast" with tantalizing moments of "maybe this time something will happen". We became friends with a truly successful television writer/producer, also a Fordham alum. He showed us around the set of MASH, and we met the stars of the show, including a famous Fordham alum, Alan Alda. We had speculation scripts for MASH, for One Day at a Time, and such, and even had created our own sitcom. 

I finished law school and got a license in New York, just in case, and then when I moved to Los Angeles in 1981, I knew I had better get a license there as well, just in case. I was a dutiful follower of "just in case" which, as it turned out was probably wise. When you are young though, you feel like a slug, never launching into real life. My partner couldn't move then, but I hoped that once I was here, which I loved anyway because of the weather, and because it was so unlike New York, I would continue to write while passing the Bar and holding a job. I sort of did. At the time, one of my favorite shows was Remington Steele, and I wrote, at least partially, a speculation script for them, but then the show was cancelled. Len and I talked the future of our writing, if memory serves and there remained hopes. But life takes over, and passing the Bar and having a decent salary and getting a new job at the State Bar as a prosecutor, accounted for most of my time. In 1997, some fourteen years after me, Len did move to California as did his new writing partner. I had been working at the State Bar by then for eleven years. I still dabbled on my own, and without any connection to get inside. You don't just send scripts. There are often in house writers, and those jobs are understandably jealousy guarded. I worked as an attorney for 30 years, 25 of them at the State Bar. After I was retired, I still dabbled. Even within the last couple of years, I "created" a sitcom about the last renter in an otherwise all condo building and his adventures. But now, with the internet and web series, and how you get noticed, it all seems harder than it was before, and it was harder, and I guess my energy for such things has diminished considerably. Also, I find myself thinking more of final things, sorry to be so dramatic, but when you get to my age, it is pretty dramatic, thus much of my thoughts are about Death, Judgment, Heaven and Hell. It's not really as morbid as it might sound. This life is incredibly short as our parents warned us, and if you believe in eternity, which I do, there is something and Someone more important to prepare for. But still, I am in this world, though working to be less of it, and certain things just tug from time to time.

And so it was when Len, my old college friend, who still lives here and has produced a web series, Here to There, with his partner, Chris, suggested that we go to a taping of the reboot of Frasier. We both loved the original series, and both of us thought that though reboots are often unsuccessful, that this one was defying the odds. If the desire to be part of the studio audience is any measure, then Frasier is certainly a success in its new incarnation. The second season has promised to bring back more of the characters from the original series, and we wondered if one of them, Bebe Glazer, Frazier's unhinged agent, engagingly played by Harriet Harris, would be one of them. It was on Stage 18 of the Paramount Lot. Just stepping, or in our case, carried in a Golf cart by one of the young tour guide/staff onto the lot had me peering down the Road Not Taken. The particular stage, was built in 1941, and among the art produced there was Rear Window, with James Stewart and Grace Kelly. That incredible set, the one with the garden, the apartments with their unique residents, the fire escapes, the brick buildings so like the ones I grew up in in the Bronx, that evokes my childhood every time I see the film, that set was on this stage. It is at the door of this stage that Norma Desmond, played by Gloria Swanson, meets up with Cecil B. DeMille. Oh, and lots of television shows, including Star Trek DS9 and Voyager were filmed here, tantalizing facts for a fan. When you looked up, there was the original catwalk all around the building. 

Watching the actors, the director, the make up artists, the rest of the production staff at work amid the beautifully crafted multiple sets, made me happy and wistful. I love it when the actors try a bit, and even when they make mistakes. Kelsey Grammar would say "What's the line?"  and then quickly moved back into character. People do not realize what an effort it is to deliver the lines because they are often changed while filming is going on. There is a moment, that if you see the episode, ought to make you laugh as hard as it did me, when Ms. Harris as Bebe Glazer emphasizes a line with a lick of a swizzle stick. As I sat there, I thought, "I could write for this show" especially as some of the lines seemed to fit in with my particular style. Well, at least I thought so. The whimsy of what if. Studio lots feel like college campuses. I was really comfortable at my college campus, at that little radio station WFUV in Keating Hall, doing classical music, editing tapes (the really old way), a rock show or two, a poetry show and a radio sitcom. I could have been real comfortable at a studio and a stage like Stage 18. 

The theme song of Frasier, which I only recently heard discussed by Grammar and the theme writer, Bruce Miller, really speaks to me. 

https://www.youtube.com/watch?v=yPj-pNBfOJQ

It really is about life, Frasier's life (though not specifically mentioned) as a psychiatrist and human being trying to mosey his way through in optimism when so much is not optimistic, and our own, and on this occasion, mine. Life is mixed up. It's full of all sorts of things. 

Hey baby, I hear the blues a-callin',
Tossed salad and scrambled eggs

Oh My
Mercy

And maybe I seem a bit confused,
Yeah maybe, but I got you pegged!
Ha, Ha, Ha, Ha!

But I don't know what to do with those tossed salads and scrambled eggs.
They're callin' again.

Scrambled eggs all over my face. What is a boy to do.

Goodnight, everybody.

Credit to Quora for the above

Even though I was a lawyer for 30 plus years (if you count the time in New York), I have always felt a little confused and uncertain about the choice that I did make. From a practical perspective, it was the best approach. I have a good life in retirement because of that choice, mostly, as often I say, guided by my late Depression era father. And I suppose that now I indulge some of those creative urges, writing this blog, doing a little podcast ( Ordinary Old Catholic Me, though I know you didn't ask), and still occasionally noodling with script ideas that will never get through the studio walls largely because of my erstwhile profession who make everything a potential lawsuit. There's always a chance something I write might make it past the parapets of Hollywood, if I have enough energy to assail the towers--but truthfully I don't. And those things that called again when I sat in that studio audience, with my former writing partner, is a different and more sober experience, than when they first called when I was a 25 year old just considering a move to Hollywood and everything was possible. 

But of course, life itself keeps calling until the last breath. There is hope in that.