As I have noted before, I never entirely know how much of the "old" stories of Dad's family are fully true. I know they have some truth, for example, because I know that before the Depression, the family had a house in the Bronx. I have seen the picture of most, though not all, of the children in the backyard, which in the photo, at least, looks more lush than my father describes in this story when it was purchased. My uncle Steve is not in the picture because he was not yet born, and my Aunt Georgia, the eldest, is not in the picture because she hid from her husband that she was older than he, and the rest of her siblings. That she hid this is confirmed by the photos, including this one in the back yard, in which she is cut out, or rather, she cut herself out. Perhaps somewhere there is a negative, though I doubt it, this many years on. We are talking the 1920s. My father is about five in the picture, wearing a sailor suit. They were more prosperous then, though not rich. The Depression would take that away and I believe it was before 1931, the date in which my father says this father in law came to live with them. I do not think that Nikkos is a real character, if only because, my father's mother was not Greek. She was Italian, though first generation, born on Mulberry Street somewhere around 1890 ish. But I suspect there is some hard kernal of truth in this tale. I actually thought I had posted it long ago, but turns out I had not, or I never noted it in my list of now over 100 stories I have published on this blog written by my father. I regret that he never became a known writer. He had a great talent. He always wanted to do something creative as a vocation. It didn't work out that way. Still he was a man of deep thoughts and educated tastes as all these stories demonstrate. And of course, a master of cynicism.
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THE MELTING POT
The old man came to live with us in 1931, I am sure. It was the year Papa bought an eleven room house in the Bronx to shelter his growing family. I was the eldest at six. There were already four children. Papa left no doubt about his itention to sire many more. There was little more than a year between my brothers and sisters in age.
Nikkos, the old man, did not get along with his son-in-law, who was married to my mother, his daughter. He regarded Papa as a turncoat Greek, who had sold is glorious Hellenic birthright for a mess of American pottage. Papa attended "corrupt Americani" night schools. He became a citizen. He allowed his wife to bob her hair. He was not a true Greek.
Nor had he attended the wedding of his daughter, though it was celebrated in the great cathedral on Forty-Seven Stree, the "Holy Trinity" or "Hagia Triada".
A mitigating circumstance was the ten dollars a week that he contributed to the hearth. The Great Depression was upon us.
He was, for the times, affluent. His income came from the Government insurance policy which was compensating him for the loss of his son, Nikkos, Jr. who was killed in France on November 4, 1918, seven days before the armistice.
He was wont to curse, beneath his breath, at his son's picture, before which a candle burned perpetually, in a flickering red cup, on our piano.
Nikkos begged his son not to enlist to fight for this "barbarian" country. Nikkos, Jr. embodied all his aspirations, his immortality, his fortress against assimilation into this mongrel society he had grown to hate. He had sold his flesh to Mammon.
He had three more children, all girls, before his peasant wife sickened, as silent and obliging as she lived, died quietly.
There ensued the inevitable. He was a desultory parent. He never noticed his authority has weakened. The eldest girl led the insurrection. She married an Italian contractor and fled to Chicago. My mother's selection did not please him even though my father was Greek. There was, of course, the violence. He beat his first daughter severely, but she had him arrested and roundly chastised into restraint by the robed men with pince-nez glasses and ascetic nostrils. The hated Americani.
When the only other daughter married a diamond dealer from Salonika, of a prominent Jewish family, his soul hardened and with the death of his son in France, he lapsed into monastic resignation.
I knew nothing of this history until much later. From the outset, there was friendship between us. I was not yet seasoned to the antagonisms of adult behavior. I liked the old man. On the Fourth of July, he would stuff a five-dollar bill into my pocket and say, "Go maka somma noise!" I supposed he made allowances for this American day of liberation since it was, conincidentally, his birthday.
One of my few childhood memories is the shock of separation somehow engendered by our sudden move into our new house. I remember looking out of a window into strange, undeveloped, weed-encumbered lots. I turned to find Grandpa standing behind me, curious, peering to determine the source of my interest.
I did not tell him. I had no words for the feeling. There was nothing out there, but loneliness. Still, I felt a warmth in his unexpected presence, a feeling of comfort, companionship. He was offering friendship and I needed a friend.
We were neighbors. My room was separated from his by a flimsy wall that sllowed the sounds of his evening peregrinations to filter through. I could hear the scraping sounds of an obstructed urination, followed by the anathemas he hurled the the Icons on his wall. He cursed each in turn, by name, excoriating them, blaming them for leading him to this desert of brick and stone, where his dreams took no seed.
Every once in a while, he would chant one of those Ottoman "Amanes" or plaints of his village, wailing songs of despair and rejection.
I believe I was his only companion. My fatgher ignored him. My siblings were in various states of maturation. There was a coldness between him and my mother, and silence from his other daughters from whom he never heard.
We had no age difference between us. We played together as equals. He was trim and agile, gray eyed, with carefully cropped hair. He had an array of pipes which he alternated daily. I bought his "Prince Albert" tobacco when he ran out. I was fascinated. I knew he liked me, and to a child this is the measure of all need.
I helped tend the gardens he created out of the barren half-acre of our property. I learned to plow, sow the seed, water the fragile shoots, hammer support into the ground for the fast growing tomato plants. He would watch, approvingly, stopping occasionally to throw a rock at an offending cat, adding a sharp curse to give impetus to the projectile.
Sometimes, in midsummer, when the sounds of crickets protested the hot weather and the fireflies lit the darkness under his grape arbor, he would try to convey his longing for his abandoned country. I saw what he was seeing. His sky, deep and blue, the vines heavy with grape clusters, the gnarled olive trees silhouetted against a reddening, darkening sky at sunset. I travelled with him, in his dream to the "Kafeneon" of his forsaken village, the coffeehouse where his friends gathered to sip the thick sweet coffee in the little cups. I could hear the songs of the heroes of 1821 who descended from Mount Ossa with their long sabres to slay the hated Ottoman.
Sometimes, he would break into a mournful dirge. "Manna mou, manna mou, pou eeseh?" "Mother, mother, where are you?
Nikkos died when I was twelve. It was as if he decided to leave. He gave me his watch with the gold case that opened to disclose a face of Roman numerals. He did not protest when I fingered his collection of pipes. He pressed a five dollar bill into my palm and said, "No tella your mother."
I got his room with the Byzantine Ikons on the wall and his four poster bed, the one he died in. Usually fearful of the metaphysical, I was not afraid. If his spirit were given to wandering, it would not, I knew, harm me. I was not so sure about his children and my father.
Papa said what he told me about the old country was "skata", a Greek word for "shit". I don't know why he wanted to tell me his truths--perhaps some inner guilt of his own, some failure, some genetic adhesion to a sacred code of behavior that he might have violated. There was too much vehemence in what he said.
"There was no lush garden," he said. "The grapes were withered on the vine when he left. The olives had to be pressed, and pressed again, before his family could have any olive oil."
I don't know. I did not care then and I don't care now. I hope he is sitting in a familiar "Kafeneon" sipping his little cup, under lush verdant vines, where resin win flows in gentle streams and the quarter tone Moorish songs of heroes echo deep within the soul. His battle was more fearful than the Ottoman hordes. A pitiless crucible, a melton pot that engulfs, sears and destroys the old so that the new may live.
"Xaire, Farewell, Rest."